• Ancient Plaster: Casting Light on a Forgotten Sculptural Material

    British Academy Conference: POSTPONED DUE TO COVID-19

    Marble, bronze, and terracotta are all celebrated materials for sculpture in the round. However, plaster, another noteworthy material in antiquity, is understudied and often absent from the archaeological record.

     

    This conference aims to explore plaster as a sculptural material in its own right, addressing the use of plaster models for the production of works in other media. Secondly, it will tackle the contested issue of life-casting in antiquity, assessing whether such casting was indeed used in the production of bronzes.

     

    Demonstrations of plaster working and casting processes will give participants a practical understanding of material and technique. The aim of this interdisciplinary practice-based focus is to facilitate collaboration between archaeologists and contemporary practitioners, enabling cooperative analysis of these important and unresolved research problems.

  • Key Dates

    DUE TO THE COVID-19 OUTBREAK, THE #ANCIENTPLASTER CONFERENCE HAS BEEN POSTPONED UNTIL FURTHER NOTICE

    29th November 2019

    Conference registration opens

    POSTPONED

    Conference held at British Academy, Carlton House Terrace, St. James’, London SW1Y 5AH

    POSTPONED

    Post-conference tour of the Parthenon sculptures at the British Museum with sculptor Nigel Konstam

  • Register now!

    If you have a question about registration, please consult the British Academy's FAQs webpage. For any further practical enquiries, you can also email events@thebritishacademy.ac.uk.

  • Blog

  • Convenors

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    Emma Payne

    Leverhulme Early Career Fellow:

    Department of Classics, King’s College London

    Emma completed her PhD in 2017 at the Institute of Archaeology, UCL.. Her PhD thesis explored the archaeological and historical significances of casts of classical sculpture and she is now working on a book: Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age (Bloomsbury, 2021). Before her PhD, Emma trained as a conservator of archaeological and museum objects. She has participated in conservation projects in the UK, Italy, and Egypt. She has spoken at several of the recent conferences devoted to plaster casts including ‘Destroy the Copy’ (Freie Universität, 2015) and ‘Celebrating Reproductions’ (V&A, 2019).

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    Abbey Ellis

    Doctoral Candidate:

    School of Museum Studies, University of Leicester & Ashmolean Museum, University of Oxford

    Abbey's work is split between the School of Museum Studies, University of Leicester and Oxford’s Ashmolean Museum of Art and Archaeology. She is supervised by Prof. Sandra Dudley, Prof. Bert Smith and Dr Milena Melfi. Abbey’s project focuses on issues of authenticity and materiality in relation to the Ashmolean’s collection of archaeological plaster casts. Prior to commencing her PhD, Abbey completed a BA in Classical Archaeology and Ancient History at Merton College, Oxford and MSt in Classical Archaeology, also at Merton. She has co-convened the 2018 and 2019 ‘Lasting Impressions’ study days on the subject of reproductions within museums and heritage.

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    Will Wootton

    Senior Lecturer in Roman Art:

    King's College London

    Will has been involved in archaeological excavations in Britain, Bulgaria, Israel, Italy and Libya, and conservation projects in Jordan and Palestine. His research focuses on craft production in antiquity and he is particularly interested in the intersections between materials and techniques as well as craftsmen and clients. He has worked extensively on the making of mosaics from the Hellenistic period into Late Antiquity. He was recently the principal investigator on a Leverhulme-funded project on Roman stone carving and has received funding from the Getty Foundation to hold workshops on mosaic conservation and site management. He is currently the Co-Investigator on a British Council funded project, Training in Action: From Documentation to Protection of Cultural Heritage in Libya and Tunisia.

  • Funders

    The convenors would like to thank the following organisations for their sponsorship of this conference.

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    British Academy

    British Academy Conference funding

    The British Academy has provided the venue, lunch and refreshments, as well as funding for speakers' accommodation and travel expenses.

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    Leverhulme Trust

    Early Career Fellowship funding

    We extend our thanks to the Leverhulme Trust for providing funds for demonstration materials.

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    King's College London

    Department of Classics RISM fund

    We are grateful to King's College London for facilitating speaker hospitality and for making a contribution to demonstration materials.

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